You have two eyes:
even though they may not work the way you wish they would.
One to the right, one to the left
even though you may be sat on a fence, looking down a middle course.
Close your eyes, watch that vision sleep
even though you dream with lashes still and eyelids shut.
Your vision loves a rest.
to turn the clock back
The hour has passed
into the past.
You’ve lost
your turn to protest
against the party of time.
Go march for release
of the sixty minutes
you’ve incarcerated.
The liberation of time
depends upon more than you invested
when you had wind behind you.
Let there be no more ticking hands
nor tick-tocking cuckoos
not shadows cast on dials.
Let’s push the right hand forward
and squeeze a dribble out
from behind the prologue that is past.
There’s always a couple of leaders competing for affection:
The one in splendid garb
praises the survivors for surviving.
assures them they are loved, admired, revered,
tells them they’re a magnificent example to others
says this over and over:
‘because of you, we have hope
because of you,
we will be stronger than ever.’
II
The one in the crumpled suit
Praises the survivors for surviving,
Warns them their war isn’t over
The worst is yet to come
unless we fight to the death
unless we look into the eyes of the enemy
steadfastly renew, recover, and rebuild
before it is too late.
and cries
‘Now is the time for action,
not relaxation,
no patting each other on the back.
We must turn the tide.’
I see the stars,
You cannot lock me down.
I spy the sky,
You cannot lock me down.
I think my way
You cannot lock me down.
I dream my world,
You cannot shut my imagination into kilometres.
I travel the universe, by day and by night
I fly over mountains and oceans, cities and streams
I am out and about
Working where I have always worked
In the office of hearts
Sweeping leaves from your way
W
Writing my laws
Without restraint
You cannot lock me down.
The dog wants to go out
The cat is staying in
The kettle’s growing cold
The birthday’s story told.
Underneath the fruit bowl,
Or was it in the fridge
Perhaps beside the oven
There’s probably a coven.
In the middle of the night
There are stars burning bright
And cobwebs do their work
For spiders home to lurk.
The dog’s come in again,
The cat’s gone out to hunt.
After slumber has sped past
There’ll be tea for breakfast.
Fashionable in my day
Business is service
Pandemonium at bay
an alien
an unidentified flying object.
I believe in me.
I am a miracle,
a transfiguration,
an apparition,
I believe in me.
I am salvation
resurrection
an assumption
I believe in me.
Have I introduced you to the ghost that came to live in Cork before the flood?
The one who settled down …
The one who will come again …
Inconsistency is key
– if your purpose is to bond with unreliable, unpredictable & erratic people.
If you think the majority of people are like that,
you’d be inconsistent if you posted with consistency.
No self-respecting poet would ever write the words ‘quality assurance’ in a poem
unless the poem was designed to win an award from the health and safety officer.
Only a desperate composer of verse would droop their pen down into such stale ink
and think they might get away with being mistaken for an ironic metaphoric genius.
‘Quality’ is for beginners in poetry – an abstract expression that begs to stir the soul
to life, without breathing a syllable with guts or garters, and delights people asleep.
As for ‘Assurance’, rhyming with insurance, half -rhyme to insouciance, indifference
personified, the word doesn’t even dance, or dalliance, eat ants, glance or entrance.
However, put them together, send them on a date, engage them, marry the buckoes
– that way lies a turd of a turgid teaser, the type elephants lay for hyenas to admire.
I forgot to write on Thursday. Spent the day talking & daydreaming. There must have been food – and thought.
Daydreaming is misunderstood by those who don’t do it. They imagine daydreaming is simply lingering loafishly while others slave away.
I wonder if I’ll forget to write today.
It’s not good enough to say to myself
“I have soft stubble … No one cares … It’s my hair …”
I can do better.
Every time I excuse myself I nurture a self-fulfilling prophecy. Don’t I?
“It doesn’t matter” means it doesn’t matter to me what others see, what they suspect, or even what they imagine.
Whom do I remind you of?
Whom do I look like?
Whom do you take me for?
The trouble with being curious is that your curiosity is limited only by your imagination.
“What do I look like under stubble?”
If I asked an average abstract painter that question, what average abstract answer would I get?
How would it differ from the answer you’d have given if I’d asked you this morning over coffee on a Zoom Meeting?
If a balloon loses air in a toy room before the party starts, does it make much of a difference to the adults?
It’s not good enough to say to myself
“It doesn’t matter any more.”
The year I was born was good,
it rained, the sun shone,
and there was snow on the peaks of MacGillycuddy’s Reeks.
The following year was bad
though earthworms flourished, corn crakes called,
and more books were sold than ever in the history of humanity.
In nineteen hundred and fifty two,
I escaped the threat of extreme unction.
The Quiet Man was found Waiting For Godot
Another journey towards maturity and posterity.
II
Remember Christmas
Miracle of life and death
A butterfly flapped.
III
Mary Oliver wrote “You don’t have to be good”
My parents showed “It’s best to live the way you should”
Conscience was a fashionable word,
Contrition was the world,
Confession insisted upon.
Surrounded by Holy Water fonts,
it was a miracle I grew up in Limerick
among books.
In those days, someone had to match Christmas cards with envelopes.
IV
I remember meeting Picasso’s woman.
– perhaps that was Dublin –
I’m sure she had three heads.
Five heads flowed along the banks of the Shannon
Frank the Wisdom, Patricia the Joy, David the Magnificence, Deirdre the Talent
Peter the Intelligence.
Siblings under one roof
Chislers
V
Resurection is
much more attractive than birth.
Rising from the dead.
Recovery is
a form of absolution
– a revolting cry
Recognition is
a quintessence that collides
while opening eyes
I stand on the shoulders of great mothers and grand fathers
The example
The permission
The encouragements
“This is for you to consider.“
“It’s your eternity”.
Chapters of dialogue alongside the AGA in the kitchen
– like a primary school for the rest of my days.
VI
There were Nurses marching outside the maternity ward of Bart’s Hospital, as he was born.
An amniocentesis in Homerton Hospital.
A whirlpool for my head
The nurse from Manilla crushed under the weight of a fainting father to be.
Moleskines
Filaments for the chronicle
So many fragments to stitch together.
VII
Let’s celebrate the glory days of life
No matter where the gold and silver lie
and put aside those thurd’rous hours of strife
until they shed fresh light upon our cries.
It’s time to paint with colourful design
To decorate our home and dress the bed
In case this tide flows out and we decline
Beyond the spit of smiles and slump misread.
It’s Fall, when leaves turn brown and drift away
A season to renew the bridge we built
Back in the days we loved the wind that swayed
The leaves of barley on the field of quilt.
There’s no magic will disguise the mystery
Of how to grow without complicity.
So there, dear friends, are lines composed to mark the twist in the road
into maturity, without undue humility.
Today.
After walking by the lake & tall hills by Gougane Barra this afternoon, I came home to a cake.
A cake deserves a photograph, or a painting – especially when it’s as magnificent as this one.
Especially when it’s handmade by someone who’s dearer to me than the confection is sweet.
She spent a goodly proportion of the day in the supermarket & kitchen – and cleaned up after herself – which I have often not done.
I had half an eye on England v Belgium when she visited my sofa, and asked if I would really like a candle for every year of what I call my maturity.
I almost took pity on her.
“Of course I’d love that.”
And so it was that when my two sons, two daughters-in-law, three grandchildren & two dogs joined us in the kitchen (via Zoom), there were candles lit.
Imagine trying to light that number of short candles on top of this cake. Imagine three of us with flaming matches, and melting wax trickling on to the icing.
Etched into memory, never to be forgotten until my memory muscle has grown too limp to last.
Joy, fun & glee. How fortunate I am to have such company to love.
Ghana and Mali.
When I was a child in Limerick my imagination didn’t stretch to Africa.
It never crossed my mind that I would go to Accra in Ghana or Bamako in Mali.
But I knew the name Timbuktu, the city that’s Tombouctou in French.
It never crossed my mind that Timbuktu in Mali might be twinned with Hay-on-Wye in the Black Mountains. That’s Wales.
My father collected National Geographic Magazines. I got the impression there were photographs of African people, animals, rivers, mountains, trees, and skies in every issue. The pull-out maps were big.
I had coffee in West Africa yesterday. I brought with me the best wishes of the people of Glanmire.
Two countries “bridging the gap” they said. You could see it happening in front you as you were drawn into the conversations.
Space travel on Earth.
(written on Saturday)
613,200 or thereabouts. As a Greek tongue uttered,
“Being exact is superficial – and misses the point.”
For example, there is always something singular about a droplet of acid – especially when it’s deoxyribonucleic.
And when I said there were 31 days in my ‘birthday’ this year, I trusted you wouldn’t take the news literally.
As suspected, I’m a bit of a codjer – a seanamadán.
“To play with words is to tickle your imagination” – as Socrates’s mother said, the day he made the Brazilian team.
The poetry of numbers is infinite and tangential to the main stream. That’s why particles of verse – those that pass the litmus test – prove to be a promising investment during pandemonia.
What a demon of a number that has been – at times.
It’s the conundrum that’s a treat to understand, I imagine.
Alliteration isn’t always appropriate.
Whatever was worrying your world will wither when whoever you wished would stop wallowing wittingly would withhold their words wistfully.
On the seventh day of his birthday, Paul kept going in a direction he couldn’t fathom.
The virus followed him, keen to sneak through his protective efforts.
He couldn’t shake her off his trail.
Even while he was eating meringue, vanilla ice cream, and black berry compote, on Princes Street, outside Nash 19, she was still pursuing his cells.
Paul wore a black mask. He was beginning to find some masked women attractive – as if his imagination had life left in it.
The elastic was stretched. The Americano so slow to appear he decided to leave without it. He went to buy an AeroPress.
Meanwhile, a pleasant man was replacing the screen on Paul’s iPhone 7.
‘How do I know the virus isn’t in my cell phone?’
Paul was used to talking to himself.
These days people have cars, televisions, Sky, mortgages, pets, smartphones, broadband, jewellery, credit cards, education, holidays, bills, debt.
More to lose
than ever.
Attachments.
There’s always been affection
Always attraction
Always people to love.
Looking at leaves of beech
through shattered glass
Seeing your face in splinters
on my phone
You are in bits and pieces
Poetry is music to me.
Meaning that every poem is a melody. It has its major chords, and minor key.
Tonality
Syncopation
Rhythm
When I approach a poem, I get ready to read it aloud. If there are people nearby, I move away.
I want to taste the words, phrases, and punctuation as they’re uttered I want to feel the flow.
The syllables are like notes from a piano. Words are chords. Lines like bars.
Adagio,
Andante
Apassionato
The great poems have many movements.
They cure me of bad habits.
