Night Sky: Hawkmoths, Moonflowers, and Spiders

hawkmoths sip at night
moonflowers bloom under stars
spider primed to strike.

Haiku Inspired by Japanese Culture


last blossoms outside

gifts gather near the Coin Mint

petals on the path

______________________

a pink petal falls

after the cherry has bloomed —

confetti shower

_______________________

wisps of incense smoke

smell of cedar, sound of drum

monks and nuns chanting


___________________

peace and quiet reign

the sound of a butterfly

lichen are breathing

________________

ferns live by maple

stones rest by camellia

air tickles the leaves

___________________

kimono for tea

fragrance of ceremony

whisking green bubbles

____________________

fire, gold, wood, and drum

temple giant leads the chant

Bow. Pray. Bow, now smile

____________________

cherry petals fall

a dusting of snowflakes recalled

cable car rising

___________________

coffee cherry ripe

two green stones wrapped together

bound for china cup

____________________

sunshine and showers

play across the garden stones

a moist wind gusts cool

_________________

morning mist lingers

droplet hangs from cypress leaf

Fuji hides all day

__________________

in the hawk’s garden

a Samurai hunts wild ducks

green leaves grow again

_______________

Samurai wields sword

calligrapher wields brush

west wind wields breath


__________________

from the rocks, a smile

cedar tree bows low with grace

Sayönara, friend

_____________________

Blue Bear stories sing

Teddy’s eyes are firmly fixed

drawn by Shuto’s pen

_______________________

a gin and tonic

fresh energy in liquid

released by the gods

__________________

Sasaki

(unfinished)

Sadako Sasaki

Hibakusha

Tears holding hands

School friends together

Running races

Joyfully growing

Folding paper cranes

One thousand for peace

Thousands massacred

Wind, rain, and fire

Tears shed for you

Hiroshima.

Earth

Sunshine and showers

Twins dance on Mother Earth’s cheek

Father wind blows cool

_________________

In the hawk’s garden

a master has hunted ducks

green leaves grow again

_______________

Samurai wields sword

Calligrapher wields a brush

West wind wields a breath

Travelling now

Where are you going?

Lightening time, warming soon

Green pheasant calling

Insect Waders on Water (haiku)


On smooth still water

along an ambling current

insect waders skim.

(Image by Artificial Intelligence – to prompt by Paul O’Mahony)

I stand

I stand

against the crowd

I stand out from the crowd

I am an individual

odd

different

singular

misfit

awkward in my comfort

edgy in my skin

alive in my own atomic way.

I live my say

I give the best shot I can

every day.

I stand against the crowd

of wasters who fritter

their life away their way.

I waste my life my way

I fritter my days into

the oblivion I fashion

every step I say.

because I am who am

me


Condemned to be myself

I stand out from the crowd

comfortable in my discomforting way

that comes from every pore

every sore

every score of my expressions.

It’s my art

the heart of my song

the spleen that cleans my blood

seen in all my glory every time

I stand against the crowd.

Each and every difference

friction

grating

unconforming

uncomplying

understandable me.

See that fella

hovering on the edge

the one who isn’t fitting in

the one with the shifty eyes

the glint of his own.

You can smell

he’s an outsider

a weirdo

an awkward one

an individual

heart

a body of imagining

power

wealth

stealth

scheming to survive

the crowd

the collective view

the “what we all think”

thinkers.

I stand against the crowd

I stand out from the crowd

away from the crowd

proud of my own way

fiddling the melody

composed of notes

I’ve assembled from the crowd

playing the game I’ve invented

the rules I’ve annunciated

predicated on the shoulders

of giants who have fallen

in battle

against the crowd

castigated on shoulders

of heroes that have died

for the cause of being

themselves.

I reject the way of the crowd

every time my heart pumps

blood from the flat of my sole

to the peak of my imagination.

Consternation

I will cause.

Conflagration

I promise.

The instigation of the self

opinionated

author of my fate

creator of my faith

born to be wild

not filed away in a box.

I defy

I stand against the crowd

that would

categorise me

classify me

entomb me in place

where they ignore me

where they make me safe

from causing a splash

from making a difference

from changing

the course of history

the dreams of others

the Universe.

For such a cause

I stand against the crowd

I stand out from the crowd

to welcome you

fellow traveller

fellow awkward person

follower battler

for your way.

For your way is my way too

your way is yours

my way is mine

our way stands out from the crowd

We stand against the crowd.

We stand up for ourselves

We stand who stand.

Against the crowd

Unto death.

WE STAND.

Cricket is a curse

(work in progress)

Cricket is the curse of the tea break:
line, length, time, and rhyme,
bad light and rain.
Refrain stops play.

Cricket’s a mug’s game,
a heroic couplet,
yet more of the same.

A Haiku running between stumps,
legs and symbols before wicket
a foot, outside the line,
an Alexandrine.

A forward defense with cadence,
against the seam,
like a no ball, a simile,

Cricket’s a testing game:
the toss,
a full toss
hit for six. Epic.

The cover’s on.
the cover’s off,
a song.

The bat, the pen, the runs, the words,
a coin spins
out comes the side, and the ink.

The follow-on stanza,
mid-on,
mid-off,
side-on.
An innings defeat.

Cricket is the curse of the umpire’s hand,
a satire.
a verse at square leg.

Onomatopoeia.
a mug’s game of innings and googlies.
Pitch, bouncers and reverse swing.
Centuries and ironies.

Ducks and golden pairs.
Stress,
a wrong’un.

Englynion:
Two new openers
batting long boring innings – sleeping time
quite a crime every ball
blocking bowlers, playing crawl
soaking pressure, scoring nothing.

Drift, line, and length.
a flipper and villanelle.
flight through the air.

Cricket is the curse of the leg spinner,
the third man.
The tail, the tale, and off-cutter.

Metaphor.
Wisden’s dictionary.
Ashes and syllables.
Lords, the Gabba,
and the popping crease.

Cursed be thy name

The pen is always heavy,

when it’s months since you lifted it.

The weight of the space left behind

undressed, unaddressed.

Time without colour,

days without commas,

seconds stripped asunder,

drunk on the spirit of everlasting 

full stops.

———

This pen has a cough,

the sign of an infected life

lived as if there was no editor

round the corner

waiting.

No publisher

cracking teeth,

chewing toenails,

waiting 

for the pen to impregnate the page with filth, 

for the ink to copulate with lines 

that conceive parables, 

that deceive imaginations 

so much that the nib cries for rest, 

prays for time off 

howls for sleep, 

from having to be so good 

and having to deliver best-selling sentences,

gobsmacking phrases, 

gut-wrenching couplets.

——

No poet needs a pen. 

The essential requirement for poetry is a mouth, 

a voice box, 

a larynx, 

lungs. 

We have ways of transcribing your dung,

software to soften your crudities, 

Code.

——

Give us your guts, your flint, your rock.

We can knock you into marketable shape. 

Give us your foulest wake, 

your Finnegan.

I’ll even take your Sappho to bed 

and snore ‘til dawn, 

with her panting for more. 

I’ll make Shakespeare disappear,

and Bashō re-appear 

as a disgruntled dung beetle, 

before I grant your pen

the right to light the rite of the brightening word-scape. 

——

The Pen, 

R.I.P.,

survived lovingly by its mother’s quill, 

its significant other Bottle of spirits, 

its children Procrastine and Prostatinus – 

lies with coffin open all night 

to the quickening sky, 

in the front room of OMani’s Bookshop,

in the toilet of your treadmill, 

in the dustbin of your mind, 

in the gutter of your good manners, 

waiting for eternity, 

and, if that’s not long enough, tough on you, 

with your expectations of Heaven, 

with your confidence in being reincarnated 

as the elephant god of wisdom, 

or with at least a modicum of respect 

for how you’ve served

the progeny of cave carvings,

the issue of hieroglyphical outbursts,

the offspring of juggled alphabets, 

and the latest emojis. 

Trend-setter you, 

cursed be thy name.

—— 

No matter how heavy the pen,

no matter how sick the ink, 

no matter how smelly the script, 

no matter how disreputable the collection, 

the air will carry your sentiments 

alongside the letter Cain wrote to Abel,

the note Judas wrote to Joseph, 

the missive Abraham scribbled to the Buddha, 

all the smoke signals, 

text messages, 

emails, 

phone calls 

and whisperings. 

The wind will amalgamate the lot,

and you will be branded

another infant in the long line.

How about you?

Blue, blue, my pool is blue.
Blue is my sky.
How about you?

White, white, a butterfly flies.
White is my house.
How about you?

Black, black, the shadow’s black.
Black is my back.
How about you?

Black and white martins glide
smooth on the breeze.
How about you?

Blue, blue, forever be true.
What do you say?
How about you?

Unbent

(in honour of Eavan Boland)

It was a London summer. It was dry.
Half of June was full of Downing Street,
the Tower of London,
Hampstead Heath,
Stoke Newington,
Speaker’s Corner,
the Abbey,
the City.

The other half was Chiswick,
ticket machines,
waybills,
route maps,
accident reports,
“Fares please.”
I worked on a bus.
It had a number.
There were stairs to climb,
passes to inspect,
cash to collect.

There was a woman. She got on in Camden Town.
She carried shopping. She knew where she was going.
She never spoke to me.
As I walked along the lower deck, issuing tickets,
she showed her travel pass.
I nodded and moved on.
She got off at Swiss Cottage.
I was sure she went on to Golders Green on the 28 bus.

She kept to herself. I wanted to follow her
back through what it had been like during the war
before she escaped Germany.
I wanted to know what happened to her family,
and if she lived alone in London.
I walked from Chalk Farm after work

past Primrose Hill to the bus stop where she got off.
I saw her going into a flower shop on a Friday afternoon.
I was curious. Did she buy them for herself, or for the cemetery?
By August, whenever my bus skirted Trafalgar Square
and drove down Whitehall, past Downing Street, around Parliament Square,
I imagined the bombing,
the woman who commanded the bus,
the woman who conducted the number 24.

The quiet woman recovering in Golders Green,
I asked myself whether she’d got a job
at the Ministry after D-Day.
Whatever she spoke of during the Blitz,
I wanted to know where her country was in those days
and where it was that long dry summer.

The Tower,
the Heath,
Hyde Park,
The Abbey,
Threadneedle Street
faded.
I went into and beyond the city,
put on the uniform and badge number 115364,
walked to the garage, signed in, sat in the canteen.
NBA, no bus available, hoping I’d be sent home early.

I went down the stairs into the output,
handed in my box, spare ticket rolls,
cash bags, the machine, and the key to the locker
on the Routemaster where I kept my things.
I walked to Camden Town hoping to see her again
with the face of an unbent survivor.

When the poet died

When the poet died
the keyboard lost all its notes,
the black and the white.

The slippery green frog
and blue horses
were the poet’s own song.

She talked to stones,
felt the deep sting of a wasp,
knew loneliness too.

She passed this way,
playing high in a wild sky,
attracting the sun.

Not for her the fumes of the city.